Archive

Start Over

Weyhe Gallery

  • Name:
    Weyhe Gallery
  • Kind of Organisation:
    Art Gallery
  • Introduction:

    Opened in 1919 by the German-born art dealer Erhard Weyhe opened a bookstore and gallery space specialised in contemporary European artists and was the first to specialise in prints.

    Word Count: 28

  • Content:

    After an apprenticeship as a bookseller, Erhard Weyhe emigrated to the United States in 1914 and opened his bookstore in 1919. In the mid-1930s, the store developed into a renowned art bookstore, which also presented small exhibitions on the second floor. The art historian Carl Zigrosser was the gallery's first manager. It was located on 794 Lexington Avenue and not far away of the 57th streets, where the other galleries as the Norlyst Gallery or the Julien Levy Gallery were placed.

    In addition to exhibiting prints, during the 1930s and 1940s the Weyhe Gallery also hosted a number of photographic exhibitions. The gallery also supported the work of émigré photographers, where the research is quite understudied.

    Photographic works by Berenice Abbot were shown at the gallery on 24 November 1930 and work by the photographer Eugene Atget was also shown the same year (Morris 1930, 69). In 1938, works by the émigré photographer Ruth Bernhard were shown and, in February 1942, images by the animal photographer Ylla were exhibited. Ylla also participated in an exhibition on the topic of cats in November 1942. How important the Wehye Gallery was for émigré photographers during the 1930s and 1940s and whether it acted as a network hub for them has not been sufficiently studied.

    Word Count: 203

  • Known addresses in Metromod cities:

    794 Lexington Avenue, Lennox Hill, Manhattan, New York City.

  • Signature Image:
    Address of Weyhe Gallery (Photo: Helene Roth).
  • Media:
    "Ylla." The New Yorker, 14 February 1942, pp.11f.
  • Bibliography (selected):

    Anonymous. “Ylla.” The New Yorker, 14 February 1942, p. 11f.

    Ware, Katherine, and Peter Barberie. Dreaming in black and white: photography at the Julien Levy Gallery, exh. cat. Philadelphia Museum of Art, Philadelphia, 2006.

    Word Count: 31

  • Archives and Sources:

    Word Count: 51

  • Author:
    Helene Roth
  • Date of Founding:
    1919
  • Date of Disbandment:
    2014
  • Metropolis:
    New York
  • Entry in process:
    no
  • Helene Roth. "Weyhe Gallery." METROMOD Archive, 2021, https://archive.metromod.net/viewer.p/69/2948/object/5145-11005419, last modified: 11-05-2021.
  • Ruth Bernhard
    Photographer

    Ruth Bernhard was a German émigré photographer who lived in New York from the 1920s to the 1940s. Beside her series on female nudes, her place in the photography network, as well as in the New York queer scene, is unknown and understudied.

    Word Count: 43

    Lotte Jacobi, Ruth Bernhard, 1945, New York (© 2021. University of New Hampshire).
    Scrapbook and published work by Ruth Bernhard (Ruth Bernhard Archive, Special Collection Princeton University © Trustees of Princeton University).Lifesavers by Ruth Bernhard, published in Advertisment Arts, January 1931 (Ruth Bernhard Archive, Special Collection Princeton University © Trustees of Princeton University).Still Life of dolls for Macy’s by Ruth Bernhard, published in Graphic Arts, 1931 (Ruth Bernhard Archive, Special Collection Princeton University © Trustees of Princeton University).Ruth Bernhard, Eighth Street Movie Theater, Frederick Kiesler-Architect, New York, 1946 (Diversity Corner is licensed under CC BY-NC 2.0).Exhibition flyer for Ruth Bernhard Photographs, PM Gallery, 1938 (Ruth Bernhard Archive, Special Collection Princeton University © Trustees of Princeton University).Description of Ruth Bernhard Photographs exhibition, by Kurt Safranski, PM Gallery, 1938 (Ruth Bernhard Archive, Special Collection Princeton University © Trustees of Princeton University).
    New York
    Rolf Tietgens
    PhotographerEditorWriter

    Rolf Tietgens was a German émigré photographer who arrived in New York in 1938. Although, in the course of his photographic career, his artistic and surrealist images were published and shown at exhibitions, his work, today, is very little known.

    Word Count: 39

    Portrait of Rolf Tietgens, n.d. (© Keith de Lellis Gallery, New York).
    Der Hafen by Rolf Tietgens, Ehrmann Verlag, 1936.Rolf Tietgens. “What is Surrealism?” Minicam, July 1939, pp. 30–31 (Photo: Helene Roth).Photo by Rolf Tietgens of Streamliners at the World’s Fair published in the World's Fair special issue of U.S. Camera, August 1939, p. 45 (Photo: Helene Roth).Photo by Rolf Tietgens of the Communication Mall at the World’s Fair 1939 published in the World's Fair special issue of U.S. Camera, August 1939, p. 38 (Photo: Helene Roth).Rolf Tietgens. “Capture the ‘Life’ of the object.” Minicam, January 1940, pp. 46–47 (Photo: Helene Roth).Rolf Tietgens. “Capture the ‘Life’ of the object.” Minicam, January 1940, pp. 48–49 (Photo: Helene Roth).Felix Kraus. "Why Photographers experiment." Popular Photography, February 1945, pp. 28–29 (Photo: Helene Roth).Hans Arp. Human Concretion, 1935, limestone 73 x 49,5 x 45 cm, photograph by Rolf Tietgens and reproduced in Arp: On My Way. Poetry and Essays 1912–1947, edited by Robert Motherwell, Wittenborn, Schulz, 1948, pp. 130–131 (Photo: Helene Roth).Published photo by Rolf Tietgens (Feininger 1952, 116–117).Times Square. U.S.A. (1952) photobook by Rolf Tietgens, Keith de Lellis Gallery, 1992 (Photo: Helene Roth).
    New York
    Ylla
    Photographer

    Ylla was an Austrian-born photographer who emigrated to New York in 1941. Specialising in animal photography, she produced not only studio photographs, but also shot outside on urban locations in the metropolis.

    Word Count: 31

    "Speaking of Pictures … this is the work of the Bachrach of Dog Photography.”, images by Ylla and published in Life, 17 November 1947, pp. 18–19. (Photo: Helene Roth).“Babytime at the Zoo”, images by Ylla, Life,14 May 1944, p. 43. (Photo: Helene Roth).“Ylla’s cameras tells. A tale of two kittens ... .” Popular Photography, Dezember 1951, pp. 50–51 (Photo: Helene Roth).Profile photo of terrier by Ylla (Camilla Koffler), ca. 1938, published on the cover of U.S. Camera, October 1940 ( © Waverley123 (Pryor Dodge) at the English Wikipedia, CC BY-SA 3.0, via Wikimedia Commons).Advertisement in The New Yorker (November 14, 1953, p. 184) for Ylla’s book Animal’s in Africa (Photo: Helene Roth).Published photograph by Ylla Back to Methusala, Regent's Park London for U.S. Camera. Annual 1943, edited by Tom Malloney, Radom House, 1943, p. 90.Fritz Neugass. “The saga of the S.S. Winnipeg.” Modern Photography, July 1951, pp. 72–73 (Photo: Helene Roth).
    New York
    Camera Features
    Photo Agency

    Camera Features was a photo agency founded by the photographer Werner Wolff and other colleagues of the photo agency PIX.

    Word Count: 20

    Camera Features stamp (The Family of Werner Wolff © Ryerson Image Center).
    New York
    Norlyst Gallery
    GalleryArt Gallery

    Founded in 1943 by the American painter and art collector Elenore Lust, the Norlyst Gallery represented a cross section of contemporary painting, photography and other media focusing on surrealist and abstract expressionist styles and promoting women artists and photographers.

    Word Count: 38

    Flyer for the Captured Light exhibition (© The Josef and Yaye Breitenbach Charitable Foundation, courtesy of The Center for Creative Photography, Josef Breitenbach Archive, AG90:29).
    Announcement for the Captured Light exhibition (© The Josef and Yaye Breitenbach Charitable Foundation, courtesy The Center for Creative Photography, Josef Breitenbach Archive, AG90:29).Flyer for Lotte Jacobi’s exhibition at the Norlyst Gallery, 1948 (© 2020. University of New Hampshire).Willi Wolfradt. "Lichtbild-Schöpfungen." Aufbau, 15 October 1948, p. 19.
    New York
    Julien Levy Gallery
    Art Gallery

    The Julien Levy Gallery was founded by the art dealer Julien Levy (1906–1981) in 1931, and was situated in the New York gallery district around 57th Street, where the Weyhe and Norlyst Gallery were also located.

    Word Count: 34

    T. Lux Feininger, The Painter Muriel Streeter and Julien Levy, 1940, New York (© The Estate of T. Lux Feininger, Repro: www.Kunst-Archive.net).
    Exhibition flyer Paintings of Ships by T. Lux Feininger at the Julien Levy Gallery from May, 7 until December, 31 1937 (© T. Lux Feininger Estate).Exhibition flyer by Theodore Lux Feininger at the Julien Levy Gallery from January, 21 until January, 31 1947 (© T. Lux Feininger Estate).Announcement of the exhibition Modern European Photography at the Julien Levy Gallery (The Brooklyn Daily Eagle, 21 February 1932, p. 52).
    New York
    American-British Art Center
    Art Center

    The émigré gallerist Ala Story left London for New York around 1940, where she co-founded the American-British Art Center, which introduced British and US artists to the public.

    Word Count: 27

    Article on the opening of the American British Art Center, 44 West 56th Street in New York in The Herald Statesman, 28 January 1941, p. 8 (Photo: Private Archive).
    Article on “Art Exhibit At Bar Harbor. Recent Photographs of Bombed London By Cecil Beaton” in The Bangor Daily News, 11 August 1941, p. 10 (Photo: Private Archive). The article describes the activities of the American British Art Center founded by Ala Story for the benefit of the London art scene, which was isolated and shaken by the war.
    New York