Ираида Барри, Ираида Бари, Iraida Bari, Ираида Вячеславовна Кедрина, Iraida Viacheslavovna Kedrina, Iraida Kedrina
After the Russian Revolution of 1917, Barry settled in Istanbul, where she lived until her death. She is remembered as one of the first female sculptors of the Turkish Republic.
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Akpamuk, Günce. “İraida Barry’nin İstanbul günleri.” Atlas Tarih, January–February, 2020, pp. 116–121.
Anonymous. “Iraida Barry (1899–1980) – Russkiy Skul’ptor Stambula.” domrz.ru, https://www.domrz.ru/exhibition/iraida_barri_1899_1980_russkiy_skulptor_stambula_/. Accessed 18 August 2020.
Dirican, Gül. “Uzak ve Yalnız İraida.” Gazete Pazar, 16 February 1997, p. 19.
Kadıoğlu, Ayşe. “Exile, dignity and love: an Istanbul story.” t24.com.tr, https://t24.com.tr/k24/yazi/exile-dignity-and-love-an-istanbul-story,2682. Accessed 25 November 2020.
Sığırcı, Marina. Spasibo, Konstantinopol’! Po sledam beloemigrantov v Turtsii. “Yevropeyskiy Dom”, 2018.
Ted’. “K Vystavke Hudojnikov.” Presse du Soir, 29 June 1923, n.p.
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Cengiz Kahraman Koleksiyonu, Istanbul.
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I am very grateful to Cengiz Kahraman for his valuable help.
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Istanbul, Ottoman Empire / Turkey (1919–1980).
Mısır Apartmanı, Tomtom, Beyoğlu, Istanbul (residence and studio).
At the beginning of the 1920s, a member of the Union of Russian Painters in Constantinople, Roman Bilinski was known as a sculptor. At the end of the 1920s–beginning of the 1930s – as a sculptor, painter and connoisseur of local antiques.
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The Union existed for less than two years but in that short space of time a tremendous amount of work was done by its members, refugees from the Russian Empire.
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In Istanbul, Ismailovitch became one of the leaders of the Union of Russian Painters in Constantinople, organised three solo exhibitions, and made contribution to the study of Byzantine art.
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