Archive

Start Over

First Russian émigré artists in Istanbul exhibition

  • The first Russian-speaking émigré artists in Istanbul exhibition was a one-day event but its success led to the formation of the Union and paved the way for other exhibitions.
  • First Russian émigré artists in Istanbul exhibition

    Word Count: 7

  • First Russian émigré artists in Istanbul exhibition
  • Exhibition
  • 09-10-1921
  • 10-10-1921
  • The first Russian-speaking émigré artists in Istanbul exhibition was a one-day event but its success led to the formation of the Union and paved the way for other exhibitions.

    Word Count: 29

  • The first Russian-speaking émigré artists in Istanbul exhibition was a one-day event, but its success, and the interest it sparked amongst visitors, led to the formation of the Union of Russian Painters in Constantinople and paved the way for other exhibitions at Mayak. The exhibition opened on Sunday, 9 October 1921, thanks primarily to Mayak’s director and American public figure Mr. Areson and B.A. Berestnev. It featured works by artists such as Konstantin Astafiev (Astori), Tatiana Alexinsky-Loukina, Vladimir Bobritsky (Bobri), Nikolai Saretzki, Wladimir Ivanoff, Dimitri Ismailovitch, Nikolai Peroff, Varvara Rode, Boleslav Cybis, Artemiev, Bodritsin, Roman Bilinski, Demidov, Koz’min, Sabaneeff, Fedoroff and others. According to journalists who covered the exhibition, the works were mostly small, with the genre paintings of Istanbul clearly standing out. In addition to the works of Varvara Rode (sketches of the Kariye Mosque frescoes), Dimitri Ismailovitch (sketches of Little Hagia Sophia and Davut Paşa Mosque), and a portrait of Maximilian Voloshin by Boleslav Cybis, sketches of theatrical costumes by Bodritsin, small works by Demidov, graphics by Sabaneeff, as well as drawings by Artemiev and Astafiev were mentioned. The event was attended by over 600 people, whose number included not only foreigners, but also local Turkish and Greek artists. Here is what the Russian press wrote: “Chances are after this exhibition they [the painters] will be remembered and at least the most talented of them will be given an opportunity to work seriously, not to get wet in the rain on the sidewalks, trying to gain some money by selling postcards or caricatures. The Russian Lighthouse (Mayak) kindly agreed to provide space for periodic exhibitions” (Anonymous, “Russkiye Hudojniki v Konstantinopole”, 1921). Due to the enormous success of the exhibition, the artists decided to get together (the Union of Russian Painters in Constantinople was created later) and hold similar one-day exhibitions every two weeks. It was decided to put on the second exhibition on 23 October: an organisational meeting was conducted by Wladimir Ivanoff, while Nikolai Vasilieff, Dimitri Ismailovitch and Nikolai Saretzki were appointed as jury members.

    Word Count: 337

  • Portrait of the poet Maximilian Voloshin (one of the representatives of the Symbolist movement in Russian culture and literature) by Boleslav Cybis that was presented at the exhibition. Boleslav Cybis was an émigré artist from the Russian Empire and a member of the Union of Russian Painters in Constantinople who was fond of representing truths symbolically, combining figurative thinking with ideas of the avant-garde (Stearns Family Papers. Archives & Special Collections. The College of the Holy Cross).
  • Members of the Union of Russian Painters in Constantinople, Summer 1922. Source: Scrapbook “To Mr. and Mrs. Stearns from Russian Painters”, p. 8 (Stearns Family Papers. Archives & Special Collections. The College of the Holy Cross).
    Portrait of the poet Maximilian Voloshin (one of the representatives of the Symbolist movement in Russian culture and literature) by Boleslav Cybis that was presented at the exhibition. Boleslav Cybis was an émigré artist from the Russian Empire and a member of the Union of Russian Painters in Constantinople who was fond of representing truths symbolically, combining figurative thinking with ideas of the avant-garde (Stearns Family Papers. Archives & Special Collections. The College of the Holy Cross).
  • Anonymous. “Odnodnevnaya vystavka kartin.” Presse du Soir, 10 October 1921, p. 4.

    Anonymous. “Vystavka Kartin.” Presse du Soir, 20 October 1921, p. 4.

    Anonymous. “Russkiye Hudojniki v Konstantinopole.” Zarnitsy, 23 October 1921, p. 27.

    Bournakine, Anatoliy, editor. Russkiye na Bosfore. Les Russes sur le Bosphore. Imp. L. Babok & fils, 1928.

    Bournakine, Anatoliy, and Dominic Valery, editors. Al’manah Na Proschaniye. The Farewell Almanac. L’Almanach Nos Adieux (1920–1923). Imp. L. Babok & fils, 1923.

    Word Count: 63

  • Istanbul Çelik Gülersoy Library.

    Slavonic Library (Slovanská knihovna) in Prague.

    Archives & Special Collections at the College of the Holy Cross (Worcester, Massachusetts).

    Word Count: 24

  • My deepest thanks go to the representatives of the Archives & Special Collections at the College of the Holy Cross, Worcester, Massachusetts.

    Word Count: 22

  • Ekaterina Aygün
  • Tatiana Alexinsky-Loukina, Vladimir Bobritsky (Bobri), Nikolai Saretzki, Wladimir Ivanoff, Dimitri Ismailovitch, Nikolai Peroff, Roman Bilinski.

    Word Count: 15

  • The Russian Lighthouse (Mayak), Bursa Street 40 (now Sadri Alışık 40), Beyoğlu, Istanbul.

  • Istanbul
  • No
  • Ekaterina Aygün. "First Russian émigré artists in Istanbul exhibition." METROMOD Archive, 2021, https://archive.metromod.net/viewer.p/69/2949/object/5141-10440410, last modified: 15-09-2021.
  • Dimitri Ismailovitch
    PainterArt Historian
    Istanbul

    In Istanbul, Ismailovitch became one of the leaders of the Union of Russian Painters in Constantinople, organised three solo exhibitions, and made contribution to the study of Byzantine art.

    Word Count: 29

    Nikolai Peroff
    PainterArt restorerIconographerChoir DirectorCharitable Society’s ChairmanScene Designer
    Istanbul

    Nikolai Peroff lived in Istanbul until the end of his life. He was engaged in restorations, carried out scene decorations, and did a lot for the Russian churches in Karaköy.

    Word Count: 31

    Nikolai Saretzki
    PainterGraphic ArtistIllustratorArt CriticCollectorScene Designer
    Istanbul

    Saretzki took a rather long exile route: from the Russian Empire he fled to Istanbul, from Istanbul to Berlin, from Berlin to Prague, and from Prague to Cormeilles-en-Parisis near Paris.

    Word Count: 30

    Nikolai Vasilieff
    PainterScene DesignerMuralist
    Istanbul

    Vasilieff was not only one of the Union of Russian Painters in Istanbul’s leaders, but he is also remembered for his stage settings and costumes for the ballet Scheherazade at the Theatre des Petits Champs.

    Word Count: 36

    Tatiana Alexinsky-Loukina
    PainterArt Critic
    Istanbul

    Tatiana Alexinsky-Loukina arrived in Istanbul with her husband in 1920. While living in Istanbul, she actively participated in exhibitions of the Union of Russian Painters in Constantinople.

    Word Count: 26

    Vladimir Bobritsky
    PainterScene DesignerGraphic ArtistMusician
    Istanbul

    Bobritsky worked at the Theatre des Petits Champs, where he successfully dealt with stage designs and costumes, at the same time he participated in the Union of Russian Painters in Constantinople.

    Word Count: 31

    Russkiy v Konstantinopole/Le Russe à Constantinople
    Guide-book
    Istanbul

    The guide-book was created for Russian-speaking refugees who had to leave their country and settle in Constantinople.

    Word Count: 17

    Union of Russian Painters in Constantinople
    Association
    Istanbul

    The Union existed for less than two years but in that short space of time a tremendous amount of work was done by its members, refugees from the Russian Empire.

    Word Count: 30

    Wladimir Ivanoff
    PainterSculptor
    Istanbul

    Not only did Ivanoff become one of the founders and chairman of the Union of Russian Painters in Constantinople, but he also became famous for “Drawing Thursdays”, which took place at his apartment.

    Word Count: 33

    Roman Bilinski
    PainterSculptorCollectorArt restorer
    Istanbul

    At the beginning of the 1920s, a member of the Union of Russian Painters in Constantinople, Roman Bilinski was known as a sculptor. At the end of the 1920s–beginning of the 1930s – as a sculptor, painter and connoisseur of local antiques.

    Word Count: 42