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Luis Seoane

  • Given name:
    Luis
  • Last name:
    Seoane
  • Alternative names:

    Luís Seoane

  • Date of Birth:
    01-06-1910
  • Place of Birth:
    Buenos Aires (AR)
  • Date of Death:
    05-04-1979
  • Place of Death:
    A Coruña (ES)
  • Profession:
    IllustratorLawyerMuralistPainter
  • Introduction:

    Luis Seoane is an artist mainly known for his murals, paintings and illustrations. He spent his childhood and youth in Galicia, before settling in Buenos Aires in 1936.

    Word Count: 27

  • Signature Image:
    Luis Seoane painting the mural Los Músicos at Galería Santa Fe in Buenos Aires, 1953 (Díaz Arias de Castro 2019, 24 and via Wikimedia Commons).
  • Content:

    Luis Seoane is an artist mainly known for his murals, paintings and illustrations. Born in Buenos Aires in 1910, the son of Spanish emigrants, he spent his childhood and youth in Galicia, before settling in Buenos Aires in October 1936 after fleeing Franco's military coup.
    While in Spain, Seoane studied law and began working as an illustrator for the political press. He was well integrated into the local milieu and regularly attended gatherings of artists and intellectuals. When his political activities forced him into exile, he chose Buenos Aires, where he had been born and already had friends. Thus, in October 1936, a few months after the start of the Spanish civil war, Seoane arrived in Buenos Aires on board the SS Cap Norte. There, he had no trouble making a place for himself and starting his activities: he founded the Galicia Libre newspaper with Xosé Núñez Búa in 1937 and, in 1939, was appointed editor of Galicia magazine at the Galician Centre in Buenos Aires. Among the work he produced in exile were the Thirteen prints of the betrayal (Trece estampas de la traición). The engravings, printed in Porter Hermanos' print house, focused on the devastation of civil war-stricken Spain.
    Luis Seoane belonged to the artistic circle comprising Horacio Coppola, Grete Stern, Clément Moreau, and Attilio Rossi, among many others. With the photographers Coppola and Stern, he opened a studio for advertising photography in Avenida Córdoba 363, which he closed in 1938 because it was unprofitable. One year later, he began working with the Losada publishing house.

    Word Count: 256

  • Media:
    Luis Seoane, Emigrantes, 1953, oil on canvas, 108 x 80 cm. Museo Nacional de Bellas Artes, Buenos Aires.
    Luis Seoane, Fascimo, cover of Unidad por la Defensa de la Cultura, no. 2, September 1937. CeDInCI, Buenos Aires.
  • Bibliography (selected):

    Bozal, Valeriano. “Luís Seoane. Pinturas, dibujos y grabados (1932-1979).” Luís Seoane. Pinturas, dibujos y grabados. 1932–1979, Centro Galego de Arte Contemporânea, Santiago de Compostela / Museo de Arte Moderno de Buenos Aires, Buenos Aires, 2000, pp. 17–51.

    Díaz Arias de Castro, Xosé. "Luis Seoane; Unha vida e unha obra con Galicia ao fondo." Seoane. Real Academia Galega de Belas Artes, Deputación Provincial, 2019, pp. 3–24.

    Dolinko, Silvia. “'Imágenes de Galicia', grabados de Luís Seoane en Buenos Aires.” Los estudios gallegos en tiempos de cambio y transformación: de Buenos Aires a Galicia, special issue of Madrygal. Revista de Estudios Gallegos, vol. 20 (Núm. especial), 2017, pp. 73–86, doi: http://dx.doi.org/10.5209/MADR.56221. Accessed 17 February 2021.

    Wechsler, Diana. “Convergencias, complicidades. Luís Seoane en las redes de la cultura antifascista.” Luís Seoane, entre Galicia y la Argentina (Colección La Argentina plural), edited by Fernando Devoto and Ramón Villares, Biblos, 2012, pp. 221–235.

    Word Count: 151

  • Archives and Sources:

    Fundación Luis Seoane, A Coruña.

    Word Count: 7

  • Author:
    Laura Karp Lugo
  • Exile:

    A Coruña and Santiago de Compostela, Galicia, Spain (1916–1936); Buenos Aires, Argentina (1936)

  • Known addresses in Metromod cities:

    Calle Montevideo, Buenos Aires (residence).

  • Metropolis:
    Buenos Aires
  • Laura Karp Lugo. "Luis Seoane." METROMOD Archive, 2021, https://archive.metromod.net/viewer.p/69/2950/object/5138-11007218, last modified: 12-05-2021.
  • Grete Stern
    Photographer

    Grete Stern is one of the photographers that represent modern photography in Argentina. Her house in Ramos Mejía was a meeting place for local and foreign artists and intellectuals.

    Word Count: 30

    Grete Stern, Autorretrato, 1943, photograph, 21,9 x 30,5 cm. Museo Nacional de Bellas Artes, Buenos Aires (© The Estate of Horacio Coppola/Galería Jorge Mara • La Ruche, Buenos Aires).
    Grete Stern, Photomontage for Madí, Ramos Mejía, Argentina, 1946–47, Gelatine silver print, 59.8 x 49.4 cm. (via Wikimedia Commons, © The Estate of Horacio Coppola/Galería Jorge Mara • La Ruche, Buenos Aires).Grete Stern, María Elena Walsh, 1947, photograph, 24,5 x 20,5 cm. Museo Nacional de Bellas Artes, Buenos Aires (via Wikimedia Commons, © The Estate of Horacio Coppola/Galería Jorge Mara • La Ruche, Buenos Aires).
    Buenos Aires
    Unidad
    Magazine

    From 1936, the anti-fascist movement in Argentina found one of its most consistent opinion platforms in the magazine Unidad, organ of the Association of Intellectuals, Artists, Journalists and Writers (AIAPE).

    Word Count: 29

    Luis Seoane, Fascimo, cover of Unidad por la Defensa de la Cultura, no. 2, September 1937. CeDInCI, Buenos Aires.
    Pompeyo Audivert, Unidad, cover of Unidad por la Defensa de la Cultura, no. 1, January 1936. CeDInCI, Buenos Aires.Clément Moreau, engraving printed in Lamarque, Nydia. "Mitin de Frente Unico en París." Unidad por la Defensa de la Cultura, no. 1, January 1936.Clément Moreau, engraving printed in Lamarque, Nydia. "Mitin de Frente Unico en París." Unidad por la Defensa de la Cultura, no. 1, January 1936.
    Buenos Aires
    Galería Pacifico’s murals
    MuralBuilding

    A key episode in Argentina’s muralism was the creation of an extensive muralist programme at the Galerías Pacífico in 1946, carried out by the Grupo Taller de Arte Mural.

    Word Count: 31

    Dome of the Galerías Pacífico, general view (Photo: Milena Gallipoli)
    Manuel Colmeiro, La Pareja Humana, 1946, mural. Galerías Pacífico, Buenos Aires (Photo: Laura Karp Lugo).Manuel Colmeiro, Verano, 1946, oil on plaster, 2,5 x 9 m. Museo del Libro y de la Lengua, Buenos Aires.
    Buenos Aires
    Clément Moreau
    Graphic Artist

    German-born Clément Moreau had to exile to Buenos Aires due to his political activism. There, he was well integrated into the artistic milieu and published his caricatures in many publications.

    Word Count: 31

    Photo of Clément Moreau, “Truppe 38” in Argentina, 1938 (© Schweizerisches Sozialarchiv).
    Clément Moreau, Logo in Das Andere Deutschland, no. 45, December 1941.Clément Moreau, engraving printed in Lamarque, Nydia. "Mitin de Frente Unico en París." Unidad por la Defensa de la Cultura, no. 1, January 1936.Clément Moreau, engraving printed in Lamarque, Nydia. "Mitin de Frente Unico en París." Unidad por la Defensa de la Cultura, no. 1, January 1936.Photo of Clément Moreau, “Truppe 38” in Ramos Mejía, Argentina, 1939 (© Schweizerisches Sozialarchiv).
    Buenos Aires
    Horacio Coppola
    FilmmakerPhotographer

    Born in Buenos Aires, Horacio Coppola is one of the photographers who represent modern photography in Argentina.

    Word Count: 17

    Horacio Coppola, "Nocturno. Calle Corrientes desde Reconquista hasta Plaza de la República (centro)", in Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de la Ciudad de Buenos Aires, 1936 (via Wikimedia Commons).
    Horacio Coppola, "Bar Madrid sobre la Avenida de Mayo", in Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de la Ciudad de Buenos Aires, 1936 (via Wikimedia Commons).Horacio Coppola, "Plaza de la República. Fiesta de la Bandera (Centro)", in Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de la Ciudad de Buenos Aires, 1936.Horacio Coppola, "Liquidación en una casa de trajes, Buenos Aires, esquina de Bartolomé Mitre y Maipú en 1936", in Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de la Ciudad de Buenos Aires, 1936 (via Wikimedia Commons).Horacio Coppola, "La Avenida Corrientes, recientemente ensanchada sobre su lado sur. Vista desde la cuadra del 1200 hacia el oeste", in Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de la Ciudad de Buenos Aires, 1936 (via Wikimedia Commons).
    Buenos Aires