Born in Buenos Aires, Horacio Coppola is one of the photographers who represent modern photography in Argentina.
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Gorelik, Adrían. “Imágenes para una fundación mitológica. Apuntes sobre las fotografías de Horacio Coppola.” Punto de vista, no. 53, November 1995, pp. 20–25. Archivo Histórico de Revistas Argentinas, https://ahira.com.ar/ejemplares/53/. Accessed 20 April 2021.
Príamo, Luis. “El joven Coppola.” Horacio Coppola. Los Viajes, exh. cat. Galería Jorge Mara – La Ruche, Buenos Aires, 2009.
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Coppola, Horacio. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1936.
Coppola, Horacio. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1937.
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Buenos Aires, Argentina (1906–1932), Germany (1932–1935), Buenos Aires, Argentina (1935–2012).
Calle Hilario Ballesteros 1054, Villa Sarmiento district, Morón (often attributed to Ramos Mejía) (residence), Avenida Corrientes 3148, approximately, Almagro, Buenos Aires.
Born in Kosice (Slovakia), the four-year-old future artist Gyula Kosice reached Buenos Aires by ship in 1928. He forged ties of friendship with Grete Stern, Horacio Coppola and other artists.
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Gertrudis Chale was an Austrian painter based in Buenos Aires, where she achieved integration into the local art scene and spent years travelling throughout the region.
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Grete Stern is one of the photographers that represent modern photography in Argentina. Her house in Ramos Mejía was a meeting place for local and foreign artists and intellectuals.
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Luis Seoane is an artist mainly known for his murals, paintings and illustrations. He spent his childhood and youth in Galicia, before settling in Buenos Aires in 1936.
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María Elena Walsh was an Argentine singer-songwriter, musician, writer, composer and poet who left her mark on several generations of Argentines through songs such as Manuelita and La Reina Batata.
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Conceived in 1947 as the logo of the Arte Madí group, this photomontage was devised by two masters of the Argentinian avant-garde, Gyula Kosice and Grete Stern.
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For the commemoration of the 400th anniversary of the foundation of Buenos Aires, photographer Horacio Coppola was commissioned by its municipality to portray the city.
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Victoria Ocampo was one of the most influential intellectuals in Argentina. Her home became a key meeting place for exiles and locals and deeply impacted the artistic milieu.
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When she arrived in New York in 1937, the German-born photographer Ellen Auerbach (formerly Rosenberg) had already passed through exile stations in Palestine and Great Britain.
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Founded in 1924, the Asociación Amigos del Arte (Friends of the Arts Association) was a central organisation within the artistic milieu in Buenos Aires and became a relevant space of exhibition.
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In 1931, Victoria Ocampo founded Sur, a literary magazine and publishing house aligned with the anti-fascist cause, which was to become a major hub for intellectual exchanges in Buenos Aires.
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